Archive for April, 2010

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My Night with Mike Ditka

April 30, 2010

The Negress ended up spending part of a rainy Chicago night at Ditka’s, the chop-house helmed by the Chicago Bears legend. The Negress loves Chicago unconditionally and was there for a conference of health care journalists (more about that later). After a few days of hearing about racial and ethnic disparities in healthcare and the myths of functional foods and supplements, she needed steak and sports. So Ditka’s called. Since her social life is somewhat constrained by cash flow, the Negress hadn’t been out on a Saturday night in forever. So, upon arriving at Ditka’s for prime time, she was told there was a 45-minute wait. With nothing better to do and eying the Caps-Canadiens game on one of the seven huge flat screens in the bar area, she waited.

The hosts sent her next door to the Tremont Hotel lobby, which was calm and well-wooded. However, it smelled like Glade was testing a new fragrance called “Hog Stomping Bordello.” The Negress nearly gagged and wondered if her later wine selection would suffer.  I would have stepped outside except for the pouring rain and the wind howling off Lake Michigan. After a few more minutes, my little vibrating thing started shaking so I headed into Ditka’s.

picture of Mike Ditka

Mike Ditka has wine

I had a four-top all to myself and a perfect view of the Caps-Habs debacle on Versus. I could also watch the NBA (Boston-Miami), Cubs-Brewers and what was about Day 12 or so of the NFL Draft. I stuck with the hockey and watched the Caps befuddlement while I perused the menu.

The menu features a lot of big meat often accessorized by the phrase “Kick ass.” All of the sides were served “family style,” which presented a challenge to a single diner. I saw some of the sides being taken to other tables and decided against order anything besides a salad and my steak. For the wine? Why not the Mike Ditka Cabernet Sauvignon (2006, Mendocino)?

Before the wine arrived, I took my eyes off the TVs long enough to peruse the decor. Jerseys, balls and helmets were key as were paintings in sepia tones of Vince Lombardi, Ditka and Arnold Palmer done in what could best be described as Socialist Realism Sports Icon division. There were full-body color portraits of Ditka, Dick Butkus and Bobby Hull, which also deepened the kick-ass concept. My eyes lingered on Walter Payton’s jersey for a moment. Then the mullet on the woman at the next table.

The wine? Well, enough time had passed since inhaling the Tremont lobby for me to pronounce it extremely passable. Thin tannin, a little woodiness in the plywood, not oak, family. The steak a 10 ounce (before cooking) filet mignon came with some parsley on a bare plate. Ditka’s steak sauce wasn’t bad, but it says a lot that the steak needed it. Badly.  Since I was still hungry, I ordered the carrot cake after being told by the water that the cheesecake was good (I was surprised he didn’t say, in his “Da Bears” accent, that it was kick ass). The carrot cake was fine, not real carrot-y and sort of dry. I resorted to a time-honored tactic of eating much of the cream-cheese based frosting and left about half of it.

So, the Caps lost (I was loath to see the pattern that was emerging there) and went back out in the rain to catch the bus to my hotel in the trackless wastes of Conventionland. I had a much better meal at Frontera Grill two nights before (artisanal pork with ancho-almond mole, port for dessert and a pair of margaritas that did actually kick ass). I love Chicago but I think I’ll skip Ditka’s the next time out.

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American Idiot: The colored girls and anomie

April 9, 2010

The musical based on Green Day’s American Idiot is in previews at the St. James Theater in New York. The Negress just happened to be in New York and scored a half-price ticket to see it. It’s a good sign that I am still thinking about what I saw and finding new layers with each passing thought. I am not sure this version of the show is locked — that is, done with cuts and re-jiggering — but I am betting it’s close (opening night is April 20). I am also happy to see a pair of my favorite young stage performers, Michael Esper and Rebecca Naomi Jones, in prominent roles in the production. What struck me about “American Idiot” is that captures so many of the contradictory impulses at the core of immaturity — hating everything about what came before you, being convinced that everyone else you know is living a cooler life than you, and finding really dumb ways to explore all of that. The show really rocks, unlike “Rent,” which was a grand thing but more in the show tune tradition than a lot of people gave its composer credit for. The staging is witty and owes more than it may want to admit to U2′s “Zoo TV” tour.  The movement is frantic and passionate without being too slick. It captures the frustration and anger familiar to anyone who has ever looked for a way out. All of our ways out are in us all along. It just takes sometime to find them.

Also, what I loved about “American Idiot” was its recognition that all of this anomie was not confined to white punks. Two of the three leads are paired romantically with women of color.  These are not Lou Reed’s “colored girls” thank Buddah, providing decorative support. The cast is mixed without a sense of self-congratulation. The Negress was a suburban middle class kid who found an outlet for so many of her longings in crazy, angry rock ‘n’ roll (also some twee, arty stuff to be sure). The plush sexuality of R&B and soul was not mine at the time. The show recognized that and felt great.

There are a few stumbles. A flying dream ballet between Tunny and his nurse lover (she’s dressed in a harem ensemble)  while he recovers in Iraq was pretty odd. It’s worth noting the last successful dream ballet was in “Oklahoma.” There’s a reason for that. Having druggy dreams comes with recovery. The Negress has some experience in this. But making those dreams concrete doesn’t always play out the way you want.

Also, the show runs an hour and 45 minutes without intermission. I suspect they could lose 10 or 15 minutes without ruining the  cacaphonous flow of the proceedings. If you saw the performance of “21 Guns” on the Grammys, don’t hate on the show because of that. That was a disembodied event without context. “American Idiot” is better than that.

Interesting aside:  “American Idiot” began at Berkeley Rep, as did Stew’s “Passing Strange (the Negress always thought she was the Negro Problem until she heard Stew’s band of that name).” Jones was in both productions. The woman knows how to pick ‘em. Spike Lee filmed “Strange” and it’s an excellent companion piece to “Idiot” for a sepia-colored take on anomie. I saw it three times when it was on Broadway.

Of course, I bought wine while I was here. As long as the Negress lives in Maryland, she will buy wine in New Jersey. Many thanks to my wine blogging pal 1winedude for turning me on to the 2008 Bastianich Vespa Bianco, an Italian white from Friuli. I’ll crack that when I get home and share the results.

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Washington spring rituals and some wines in between

April 1, 2010

One of the most time-honored spring rituals in the Washington DC area is the blooming of the cherry blossoms down by the Tidal Basin and elsewhere. Even though the Negress’ allergies have increased exponentially thanks to her new regimen of biologic injections, she has been out training for the Team Challenge (click if you can help) and catching up with old friends. At DC Coast, she helped her pals Stephanie and Cheryl celebrate their 20th anniversary with some bubbly followed by Viognier, Domaine Triennes, Sainte Fleur, Cotes de Provence, France, 2007. This was a more steely version of Viognier that went well with crab, pork chops and everything else we ate. Buoyed by seeing my friends and shedding some troublesome people, I took some 2008 Yalumba Eden Valley Viognier out of the cellar and tried that. It was much oakier and sweeter than the Triennes, but had a nice presence. It also paired well with some spicy stuff I ate and drank agreeably without food.

I’ve since moved on to some of the Petit Sirahs I brought back from Napa. I found all of them fruity and charming, and suspect they could use a little more time in the cellar. I’ve quaffed the 2005 Pretense from Solano Valley, which is a value at around $13 from Ferry Plaza Wine Merchants. The  2007 Frog’s Leap Rutherford AVA is about twice the price as the Pretense, and it’s a little more composed, like a lady who took time to comb her hair after an unexpected tryst. The Pretense is still looking for its underwear so to speak. A little more majestic is the 2006 C. Beck Petit Sirah from Napa Valley writ large. This a bold, friendly wine with enough structure that you

Some of the 1,000 trees in this Bethesda neighborhood

Some of the beauty of Washington in spring

imagined a boned corset is keeping this woman in line. These have been great fun to drink and I am going to share the other bottles with some other Petit Sirah lovers I know in New York. Why I am sharing wine with people who live in a state where direct shipping is legal is beyond me, but it’s the season of Easter and Passover (with Mohammed’s birthday not far behind), so I am performing a mitzvah I guess.

Anyway, the cherry blossoms in Kenwood are gorgeous so I am adding pic here so you can see. There are 1,000 of the trees in this Bethesda neighborhood, and it’s less crowded than down by the Tidal Basin. It’s also off one of my favorite rail trails so it’s easy to get to on foot or by bike.

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