Archive for October, 2009

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Wine Blogging Wednesday #62: A varietal by any other name

October 14, 2009
Some wines I didn't drink this week

Some wines I didn't drink this week

Many thanks to Dale Cruse over at Drinks Are on Me for this month’s wine task. The Negress had been in a Zinfandel mode of late (see this post for when it didn’t go so well) so what better wine to try than a Primitivo? It also happened that the Negress was in New Orleans indulging in sensory and humidity overload. There had been meals upon meals, most notably at August where a 2007 Vidal-Fleury Muscat de Beaume de Venise Reserve slid down the throat like nectar. I was singing a chorus or two of “Muscat Love” (Willis Allan Ramsey would have been proud ) as I lilted back to my hotel.

Anyway, back to the Primitivo. After eating enough food at the Association of Food Journalists to consider becoming a part-time bulimic, I headed to Beard award winner Donald Link’s Cochon for dinner my last night in town. While I was waiting for an old friend and his partner, I tried a glass of 2006 A Mano Primitivo. What struck me about the A Mano was its earthy rusticity. The Lodi Zin I had quaffed most recently was plummy and over-the-top fruit forward. That kind of sensory overload is fun on occasion, but the A Mano struck me as a more agreeable everyday wine. It would be kind to food and not deliver a headache beyond belief. The A Mano also had more notes of blackcurrant and blackberries than the 7 Deadly Zins, which pushes it sensual satin in your face with a hint of sugar. You could easily say that 7 Deadly Zins is cheap satin while the A Mano is more like raw silk.

Our take home message? The Primitivo is worth seeking out when you want a wine that’s a little less belligerent than some of the California Zins. I’ll admit some nights I’m up for that knockout punch, but the Primitivo’s rugged caress is a lovely alternative.

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The Negress does not sing for her supper

October 13, 2009

The Negress was educated and entertained at much of the AFJ conference, and some of the food was sublime (dinner at Cochon and this dish with candied bacon, which may just be the best thing on earth). Also featured at this Sugar Baron’s dinner at Houmas House were bisque of curried pumpkin with craw fish and corn, lacquered duck breast with whipped sweet potatoes and chocolate mousse filled crepes with mint julep cotton candy. All of this was delicious (I gave away the cotton candy), but one part of this dinner really stuck in my craw.  Judy Davis, one of the tour guides at the plantation, had favored our group with the song from”Hush Hush Sweet Charlotte” since the  movie was filmed at the house. Many of the food editors (all attendees but moi were white) loved her singing and her ebullience. I was glad to hear she was a history major, a divorcee with three kids and a plan to get a nursing degree. Some in our group touring the home (which defies description with a doggie wedding dress under glass and stuffed monkeys on one of the antique beds) hope Davis would sing at dinner.

Well, Davis did. She has a nice contralto voice not unlike many heard in gospel choirs across the land most Sundays. She did “Do You Know What It Means to Miss New Orleans” and a few other numbers. Sounds OK? Well, picture Davis dressed in slave clothing (baggy shirt and ankle length skirt) singing for the white folks at the plantation.

How can you go wrong with candied bacon

How can you go wrong with candied bacon

Now you might understand why I was totally creeped out. There were other African Americans in the room, but besides Davis singing for our supper and me eating that supper, the rest were serving the supper. What made this particularly galling was coming to dinner after spending time at the LSU Rural Life Museum, where director David Floyd told us their mission was to talk about what went on behind the big house and that more places in Louisiana were following suit. I guess word didn’t reach Houmas House. I hope somebody lets them know soon. By the way, Beringer wine was served at dinner. Nothing to write home about, agreeable with all courses but not exactly memorable.

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New Orleans Sazerac taste test

October 13, 2009
nectar and food

nectar and food

Although my main reason for being in New Orleans was to scope out the Association of Food Journalists convention (you can view my official version of events here), I also wanted to be seduced by the Sazerac, one of the city’s trademark drinks. Leave the tourists in the French Quarter sucking down Hurricanes at Pat O’Brien’s. Post-Katrina, doesn’t that just seem icky, no? I was in a rye mood. So upon settling into my cozy hotel room, I got on the Canal Street streetcar and rode off in search of the Roosevelt hotel and its Sazerac bar. The hotel just got a $148 million face lift and its interior is luxurious but subdued. Before I got there I overshot the mark on the streetcar and ended up at the corner of North Broad and Canal Street in an area known as Mid-City. This part of town is more likely to be featured on post-Katrina disaster tour rather than any list of must-sees for out-of-towners.  The streetcar stop was populated with the usual array of hard-working people and some stragglers waddling over from a nearby Burger King. The convenience store across from the stop was selling po’boys, but the traffic at Burger King made me suspect this was not a good place to try one. While I was waiting for the return street car, I was  treated to one young man who could have stepped out a Lil Wayne video, lighting up one of those flavored cigars that usually masks the presence of its marijuana filling. Another short young man with locks tried to sell a transfer to all assembled at the stop except me (wearing shades is an excellent way to avoid eye contact). He seemed intoxicated, but maybe his drug of choice was stupidity. He approached Latino man with  his transfer offer and the man ignored him. Our hero let out a string of invective about the (terms of service) Mexicans taking over the (terms of service) city. The moment  was sad and silly simultaneously, and it did whet my appetite for a drink. I found the Roosevelt on the return trip after a guy in a Goodwill T-shirt spotted me my missing 25 cents and a woman fainted. I eased into the dimly lit Sazerac bar and ordered the drink. It involves rye, Peychaud’s bitters, Herbsaint and a touch of sugar.

So how does it taste? Well, imagine someone you adore smokes menthols and has just taken a swig of rye. Then they kiss you and the smoke, menthol, and rye blend sends a shiver of delight all through your body. It’s something like that and I don’t even smoke. The taste lingered through a steak dinner and two glasses of nifty Spanish wine at Rambla. One was a 2006 Atalayas de Golban Tempranillo from Ribuera del Duero. The other was 2007 Altos de la Hoya Olwares, a Monastrell from Jumilla. The latter was more earthy than the former, but both were delightful.

However, my extensive research into the Sazerac wasn’t done. The next night after we played second liners in a street parade over to the Southern Museum of Food and Beverage, I encountered another Sazerac from the loving hands of bartender Michael Greenberg of the Swizzle Stick bar at the Loew’s Hotel. It also had all the notes of that mentholated, smoke rye kiss. I had three or four just make sure I was tasting what I was tasting. I was. Yes I was. Yes Yes Yes (apologies to Molly Bloom).

As in life and love, a nasty breakup ended my Sazerac relationship. My final night in New Orleans I met up with some of my fellow conference attendees at the Carousel Bar at the Hotel Monteleone in the French Quarter. This Sazerac was a travesty of a mockery of a sham. It was riven with Herbsaint , tasted like turpentine and smelled like spirit master fluid. The concoction was, happily, nasty, brutish and short. I did not order another and fled the premises to meet old friends for dinner.

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